{"id":39019,"date":"2023-12-08T13:00:00","date_gmt":"2023-12-08T11:00:00","guid":{"rendered":"https:\/\/psymedia.co.za\/?p=39019"},"modified":"2024-01-13T06:13:20","modified_gmt":"2024-01-13T04:13:20","slug":"regan-nano-records-interview","status":"publish","type":"post","link":"https:\/\/psymedia.co.za\/regan-nano-records-interview\/","title":{"rendered":"Regan (Nano Records \/ Origin Festival) \u2013 Exclusive Interview"},"content":{"rendered":"\n
Regan Tacon, an important figure in South African psytrance, has played a pivotal role in shaping the scene for almost two decades.<\/p>\n\n\n\n
Originally hailing from Cape Town, Regan embarked on his musical journey in the early 1990s, swiftly rising to prominence as a DJ with an innate ability to navigate the intricate rhythms of psytrance. Fueled by a passion for the genre, he ventured into event production in 1995, viewing it as a canvas for the expression of innovative ideas and a medium to elevate both music and consciousness.<\/p>\n\n\n\n
Having left an indelible mark on the South African scene, Regan now resides in the United Kingdom, where his influence continues to reverberate globally.<\/p>\n\n\n\n
As the owner and CEO of Nano Records, Regan has been instrumental in steering the global psytrance narrative. Nano Records, a label he co-founded, stands as a powerhouse in the industry, a testament to Regan’s unwavering commitment to pushing the boundaries of psychedelic music.<\/p>\n\n\n\n
In 2023, Regan Tacon continues to be a driving force, pushing new Nano releases and performances at some of the best festivals in the world.<\/p>\n\n\n\n
Looking ahead, the psytrance community eagerly anticipates the celebration of the 20th anniversary of Origin Festival<\/a> in 2024, a testament to Regan’s enduring impact on the genre.<\/p>\n\n\n\n That\u2019s 2 different questions to be honest. I got seriously involved in music from the age of 15, playing guitar in Rock and Jazz bands, and studying some classical guitar and percussion too. When I left school the Rave scene was just kicking off in South Africa and I got stuck in immediately.<\/p>\n\n\n\n Within weeks I was buying music, trying to figure out how I could make psychedelic dance music, and then the idea of DJing followed naturally from there. The Goa Trance scene started a year or two after that and when I heard the first Goa Trance I finally found the sound I was looking for. Properly mental psychedelic dance music!<\/p>\n\n\n\n In terms of Nano Records we are upping the game all the time, there is always more to do, and it still feels like we are just starting out in many ways. Being based more in the UK now gives me the chance to push the label even more, things just move faster there, and now I have access to more people and it\u2019s easier to push and develop everything for the label more on a global scale.<\/p>\n\n\n\n The same can be said for me as a DJ. I have access to more Psy Trance loving countries now, so its way more affordable and quicker to fly to those Psy loving countries for gigs, so more gigs are coming in!<\/p>\n\n\n\n In terms of organizing festivals its same-same as I\u2019m still spending a chunk of time in SA prepping here, and I\u2019m very used to organising things over emails, texts, Facebook and WhatsApp from years of travelling and organising at the same time. It must be said though that playing out more regularly again at events worldwide does mean I get more ideas for our events, and I am constantly reminded of the good and the bad decisions event producers make, so it keeps my game sharp.<\/p>\n\n\n\n It\u2019s been great to get back in the studio again. I\u2019m very lucky to be working with artists that are at the top of their game and are all close friends. I\u2019m still happier collaborating as the back-n-forth, sharing of ideas, is so exciting. Some of it has been like riding a bike again and went super-fast, but there is always so much to learn, even masters who I have been writing with, they are all always pushing it and learning more.<\/p>\n\n\n\n I\u2019m just trying to remember as much as I can of the new tricks they are now using. \u2026and yes, I\u2019m planning on a lot more music of my own.<\/p>\n\n\n\n Boom<\/a>, Ozora<\/a>, Modem<\/a>, are real bastions of the international vibes, they are real meeting points of the tribes, as are the parties in Goa, Shiva Valley and Hilltop parties are packed with people from all over the world. Plus, any Eclipse gathering. These are places where you can see the global nature of the culture very clearly.<\/p>\n\n\n\n We launched the label in October 2000, our first release then followed in 2002. The intention from those early days was always to push it as hard as we could and create the best platform possible for our mates and their music. The harder we work on NANO the more it grows and the more successful we become.<\/p>\n\n\n\n I truly believe in all our artists and their music, and that together, we as a collective, can continue to do our bit to grow the global scene by showcasing the best music we can find\/produce and expose it to the scene. There is so much rubbish out there these days, just so much barely adequate music. The best labels find the quality music and help everyone else discover it for themselves. It\u2019s great to be so respected these days, but the best is still to come, so keep watching this space.<\/p>\n\n\n\n It was a real juggle a few years ago, but I\u2019m loving where we are now. Being so digitally minded means we can get music out quickly, and keep people topped up with quality vibes! Yes, it\u2019s harder to make money from selling music more than ever before, but there are plenty of DJs and real fans who support quality music and keep us ticking along. It\u2019s a labour of love for sure, but life is too short to do something you don\u2019t like doing, so somehow it all works out. Like Astral Projection said: Trust in Trance!<\/p>\n\n\n\n Our core team is 5-8 people really, all working from their home (we all live on Skype), with support from a host of other groovy people and business partners. We used to have an office in Cape Town, but we adjusted how we were working a few years ago, and everything runs way better now over Skype.<\/p>\n\n\n\n On a day to day basis, Dale (DJ Dala) and I are working with the artists getting releases ready. Dala is a freaking legend!! Besides being one of them best DJs on the planet and too humble for his own good, he is as solid a person as you can find, and he plays an integral role with how NANO moves forward. His dedicated passion for the music is equal (and a lot of the time \u2018more\u2019) then mine, we make a great team.<\/p>\n\n\n\n Monique, my wife and business partner, runs Nano Bookings, our booking agency. Nano Bookings represents all our NANO artists plus some close friends too, like the Flying Rhino crew, and more. She is a machine! \u2026and all the artists love her. She has become a seriously amazing agent over the years.<\/p>\n\n\n\n The booking agency is the biggest development over the last few years in terms of things we do.<\/p>\n\n\n\n Our PR team is super killer too, South African trancers will know them as the DJs Dave Mac and Josh Mac, father and son! Dave and I have known each other for years, and both of them have great taste in music, love the scene and have the right approach to sharing the Nano message.<\/p>\n\n\n\n It\u2019s still a very South African orientated crew running the show. Most of our cover art comes from South Africa too!<\/p>\n\n\n\n Music first, but vibe and personality is very important. We all need to be able to communicate well, or else we won\u2019t move forward together, and that won\u2019t help the artist or the label in the end.<\/p>\n\n\n\n Origin started with the intention of creating a festival in Cape Town that would rival international events and be a meeting point for people from all over South Africa and all over the world once a year. Over the last few years I really can feel that this intention has been realised.<\/p>\n\n\n\n Origin is a very special gathering, with people coming from all over South Africa, and the world now too! When we started Origin there was bigger group of partners (including members of Vortex and The Glade-UK), but from year three it was only Nano left, and we have been pushing it ever since.<\/p>\n\n\n\n In terms of Nano we have always had a very strong Nano Records based lineup, so Origin is also a Nano label party within a bigger festival framework.<\/p>\n\n\n\nLet us start with the beginning of your music career. When did you become involved in the psytrance scene and eventually start performing as a DJ?<\/h2>\n\n\n\n
How has the move to the UK affected your duties as label manager, DJ and festival coordinator?<\/h2>\n\n\n\n
You have worked on quite a few collaborations recently. What has that been like? Do you feel your production techniques are improving? Can we expect more frequent releases from you?<\/h2>\n\n\n\n
You\u2019ve experienced a ton of international festivals. From a South African\u2019s perspective, which ones would you recommend attending to taste the international psychedelic trance culture?<\/h2>\n\n\n\n
Nano Records was formed in 2000. What was the intention, and did you expect it to turn into one of the most important psytrance labels today?<\/h2>\n\n\n\n
As a label, has it been easier or more challenging making the transition to the digital world?<\/h2>\n\n\n\n
How has Nano services grown beyond just a record label? Who else plays an important role in the running of Nano?<\/h2>\n\n\n\n
What do you look for when signing a new Nano Records artist? Is it only about the music?<\/h2>\n\n\n\n
How did Origin Festival come about and what was the initial concept? How does it tie in with Nano?<\/h2>\n\n\n\n